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This poem also contains profound inspirational meaning of continuing dreams and inheriting missions. Flowers symbolize a beautiful ideal and pursuit. Maybe we once had dreams and tried to bloom, just like blooming flowers, but when we are faced with a stage of "fading", that is, when our dreams are frustrated and our plans are blocked, we should not give up. Turning red flowers into spring mud means that we can pass on unfinished dreams and unfinished missions in another way, and help others to realize similar dreams, so that those "flowers" carrying hope and beauty will continue to bloom in the latecomers. It reminds us that each generation has its own mission. We should draw strength from the "falling red" of our predecessors, and at the same time, we should make ourselves the "spring mud" that nourishes the younger generation, so that our dreams and missions can flourish in this inheritance. No matter how the times change, we should always pursue our ideals persistently, and contribute to the continuation of our ideals with practical actions, so that the trajectory of our lives will become thicker and more powerful due to inheritance.Emotional expression level"Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem:

Happiness doesn't come by itself, but you need to embrace it first. Know what you have never done, think what you will go, and you will go. Always create, achieve in everything, and make progress everywhere. Enjoy life as love gathers, and Weihai love gathers with you! Love knows the world, and be good at improving yourself! Those who love come back, and those who are blessed come back! May you have a happy life! A joy and a worry are all in the heart, and only music can solve a thousand worries. Zhihu Search Five Blessingg Love Gathering to learn more exciting content!"Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem:Cultural connotation level

-Deep feelings: This poem is full of the poet's strong feelings. Gong Zizhen was in the late Qing Dynasty, social unrest, political corruption, his career was not smooth, and he resolutely resigned and left Beijing. In the poem, there are both reluctance and attachment to the court and country that they have dedicated for many years, just as the fallen flowers are reluctant to give up on the branches; He also expressed his determination to continue to cultivate talents for the country and contribute to social development through other means, such as using his own thoughts, knowledge and pens, although he left the officialdom. His patriotism and responsibility are all in it.Stick to the initial heart and unswerving belief supportThis poem also contains profound inspirational meaning of continuing dreams and inheriting missions. Flowers symbolize a beautiful ideal and pursuit. Maybe we once had dreams and tried to bloom, just like blooming flowers, but when we are faced with a stage of "fading", that is, when our dreams are frustrated and our plans are blocked, we should not give up. Turning red flowers into spring mud means that we can pass on unfinished dreams and unfinished missions in another way, and help others to realize similar dreams, so that those "flowers" carrying hope and beauty will continue to bloom in the latecomers. It reminds us that each generation has its own mission. We should draw strength from the "falling red" of our predecessors, and at the same time, we should make ourselves the "spring mud" that nourishes the younger generation, so that our dreams and missions can flourish in this inheritance. No matter how the times change, we should always pursue our ideals persistently, and contribute to the continuation of our ideals with practical actions, so that the trajectory of our lives will become thicker and more powerful due to inheritance.